Prado

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Flesh tones

white peach and ripe apricot

sprouting abundant facial hair

the courseness of old lady pubes

hang from the slack jaw of every gent

staring down from history.

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The bloody suffering of Titian’s Jesus

eyes fearful and heavy with doubt

emits ecclesiastical incense

through 16th century paint strokes.

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Dead black eyes

express Rubens’ despair,

his love of God

rivaled by joy evoked

at the beauty of

Jesus’ suffering.

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Hanging game bird

elegantly undressed

given life by Hiepes,

their colorful coats

surround a plucked chicken

skin the yellow of jaundice

and furry hare with silken ears

and hollowed out bellies.

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Zumbaran’s small Merino lamb

rests peacefully

eyes closed as if counting brethren,

her legs bound mercilessly,

pewter platter set nearby

expectantly.

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Velázquez’s life-weary eyes

severity of line

contrast

Spain’s Golden Age,

oozing voluptuous

embroidered cloth

bountifully laid tables

heaving cleavage and naked children

oysters on wooden trays

love of Church

food and wine and

fucking.

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